„ Concept of this thesis is developed through my human figure occupation. Further upgrowth is made by relations (exhibitions, performances, theatar shows...) between author and his act, between author's act and spectator, and intermediary contact between author and spectator.
Motif is figure which observes, conceives and behaves without certain narrative content. Presentation of human figure through different medias always involving author's personality, subjectivity and unconsciousness in tendency to become objective. Through net of relations which resulting in, spectator has a role of embodied motif, of objective subject and he is integer part of project. Spectator is simultaneously subject as well as object, in the same time existing in in Real as well as simulation with his mental and physical presence.
Beside my previous practical works, significant influence gave theoretical providences of French psycho-analyst Jacques Lacan (Borromean knot, Moebius strip). Affection of visual to inner content of subject, unity of conflicting phenomenas and relativising objective status of subject make some of guidelines. Content elements are changeable but motif is the same; this work represent figure through different medias. Conjecture is that visual field does not exist without spectator and in this case, subject as spectator of exhibition is in the same time motif as well as protagonist of project...”

Exhibition space is divided into six chapters while the first part named “prologue” is located at the hall entrance.

Used methods and techniques:
drawing - photography - video - 3d animation